Iron Maiden, as part of a tour of the Legacy of the Beast tour, has shown energy that will surely bring them to at least the heart of their career. After about two years, they visited Trieste again and brought in about ten thousand people in an idyllic square right by the sea in rocker-metal delirium.
When Iron Maiden released a Legacy of the Beast video last year, the first part of the tour, which included 38 concerts, was announced at the same time. But now, after nearly two years, they again stopped at Piazza Unità d’Italia in Trieste.
At least ten thousand people filled the idyllic market just off the seashore, because afternoon stormy clouds showed their teeth slightly, it was also a rosy, but then after six hours it was still mostly clarified and there was no problem that everything was ready for the evening rocker-metal spectacle.
After the afternoon hours of The Raven Age, Rhapsody of Fire and Tremonti, after the afternoon hours, there was a time when many thought that he had “fear in the dark”, as one of their songs says, although most people definitely knew exactly, on what and after what she came.
This tour is like their “best of” choice, but soon after 9 pm, an introduction was introduced to the Churchill speech, which debuted the beginning of the song Aces High. The anthem of the heroes of the Second World War was accompanied by a magnificent replica of Spitfire, which was dropped directly over the members of the group led by an incredibly fit singer, 59-year-old Bruce Dickinson, who immediately created a magnificent scene with a luxurious light park. They continued with Where Eagles Dare and hit 2 Minutes to Midnight from the Powerslave album.
The Clansman and The Trooper was next, where Bruce waved on the British flag (later he replaced it with the Italian one), and on the stage he was joined by their giant mascot Eddie, with whom they performed a swordsman’s duel. Dickinson managed to master, as he used to practice the match, sometimes with a big sword, he also grieved other members of the band and took some humorous moments.
In the article below, it is a showcase of the best music videos in 2018. While many people’s preferences lie on the tastes and subjective choices that are perceived all through the music, the main ideas are the personal and cultural experiences that the music portrays.
Childish Gambino – This is America
is one of the best music videos in 2018 that features a shirtless Donald who is pictured to be moving up and down in a warehouse. Indeed, it seems vivid that this music video was beyond average because, in not more than a minute, Gambino has already shot a friendly person and the gun taken away. This music video is beyond extremes, from depictions of a choir being gunned down to children dancing with joy, portrayals that shows how the society has endured living with destruction and death in the midst of their daily lives. And so, Gambino shows us the true nature of our society and how we are often being disctracted from the real problems.
Another best music video in 2018 is
Drake – Nice for What
which depicts his true nature of how is not entirely behind the women’s rights. However, after getting the true sense of these rights, this is where the °Nice for What” music comes from, a song that disregards the face of the challenges that women encounters every day, especially on how men treat them. With the video featuring women of color, it is clear that even for the rest of the women, the society treats them in the same wrong way.
Janelle Monae – PYNK
is another best music video in 2018 that incorporates all the past great designs — pink color resurgence, velvet, and aesthetics — in creating a fantastic and a lush realization of the future mission of Janelle. The essence of the whole music is vivid even though it is a tongue-in-cheek comprising some words like 517pussy power’ and al7 sex cells.’
Nevertheless, the main point with this music is that women here are portrayed e rulers of the world, an aspect that somewhat motivates women in specific instances.
Drake – God’s Plan
is another best music video in 2018 that was directed by Karena Evans, and it’s an interpretation of a “plan of God” that has been made real via visuals, featuring a certain amount of donated cash amounting to $996,631.90. This video also shows certain acts of kindness that occurred around the area of Miami. Some of these acts include shopping sprees, offering women money for shelters, tuition money, as well as some free groceries. Thus, the video attempts to portray how the °plan of God” has aided some charitable actions to help the society. In spite of it lacking inspiration, at least one cannot ignore the message therein behind the feeling of acting right to others.
All in all, the b.t music videos will continue existing, yet; the ones with the critical message will survive.
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